Vezere Valley- 4 Excellent Venues
January 16, 2008
The Vezere river is a tributary of the Dordogne, and the two meet near Les Eyzies-de-Tayac before the Dordogne continues on toward Bordeaux and the Atlantic ocean. Near the village of Montignac, about 30 kilometers upstream on the Vezere, are some excellent and unique venues, including the famous Lascaux cave. Here are four that can be visited in one day.
1. Lascaux II- Lascaux is considered to be the number one prehistoric site in all of Europe. The paintings on the site date from 17,000 to 15,000 years ago. Shortly after that the cave entrances were closed by mudslides or other natural means, and thus the paintings were perfectly preserved until the modern era. The cave was rediscovered in 1940 by two local boys who were chasing their dog, and several years later it was opened to the public. However, in 1963 it was closed again, as it was discovered that too many people in the cave were causing the paintings to deteriorate. Since then only a few scientists, scholars or art historians per day were allowed in for several hours maximum. For the past few years even those limited visits have been stopped, as new signs of further deterioration have been observed. The French government, however, took up a 10 year project to make an exact duplicate of the cave. This effort, which opened in 1983, uses exactly the same pigments that were used by the Cro-Magnon artists thousands of years ago, and is dimensionally accurate to less than one inch of error. It is called Lascaux II, and is located only about 400 yards from the original cave.
The quality of the artwork is the main reason that Lascaux is considered the finest example of prehistoric cave paintings. Done with only oil lamps for light and using high scaffolding, the prehistoric artists who created this site were highly accomplished artists. Most of the guided visits to Lascaux II are conducted in French, but there are tours in English on most days. One needs to call the Lascaux ticket office in Montignac or the Montignac Office of Tourism to find out if and when there is an English tour on any given day. If you have a group they will probably set up an English tour for you and other English speakers, but this needs to be arranged in advance through the ticket office. Even though Lascaux II is a replica and not the original, it is very well done, very informative, and not to be missed.
2. St. Leon sur Vezere- This is another of the “Most Beautiful Villages of France”. Built in a picturesque loop of the Vezere river, this charming village possesses two castles and one of the finest Romanesque churches of the Perigord. The church was part of a Benedictine priory which was founded in the 12th century. It was built on the ruins of a Gallo-Roman villa. The remains of one of the villa’s walls can be seen on the river side. There is a picnic area next to the church on the banks of the river, and a café is nearby as well. This is an excellent spot to have a pleasant lunch or a refreshing drink.
3. La Roque St. Christophe (St. Christopher’s Rock) is a huge Troglodyte cave complex. For about a half mile in length this majestic cliff rises vertically above the Vezere valley to a height of over 250ft. It is like a huge hive with about 100 caves hollowed out of the rock on five tiers. Excavations have proved that the cliff dwellings were inhabited from the Upper Paleolithic Age onwards. In the 10th century the cliff terraces served as the foundation for a fortress which was used against the Vikings, and again later during the Hundred Years War. It was subsequently destroyed during the Wars of Religion at the end of the 16th century. The self-guided tour explains the evolution of human life at La Roque St. Christophe, which took place over many centuries . In fact even Neanderthal fossils have been found at this site and at other locations nearby.
4. Chateau de Losse- This renaissance chateau sits on the right bank of the Vezere river, and it has a large terrace that overlooks the river and offers picturesque views. The chateau is well known for its excellent furniture and tapestries, which can be seen on the guided tours. The tours are in French, but foreign language guides are available, and these are easy to follow so one does not miss anything. The tours are quite good, and one can also visit the well kept gardens and stroll around the outside of the chateau in the former moat area.
As stated earlier, these four venues in the Vezere Valley between Les Eyzies de Tayac and Montignac can easily be visited in one day, since they are relatively close and do not take too long to visit any of them. If one is staying nearby, in Les Eyzies de Tayac, for example, only about 25 kilometers away, a visit to these sites is well worth the effort.
Our recommended accommodation to visit these 4 venues:
B&B Ferme de Tayac. Lovely B&B in a 12th Century former farmhouse / monastery situated ideally in Les Eyzies de Tayac, the hart of the Vezere Valley and within 20 minutes from all of these attractions.
http://www.fermedetayac.com/
Castelnaud
December 16, 2007
Castle of Castelnaud
Perched with hillside on left bank of the Dordogne, Castelnaud dominates the small borough coiled with its feet. Its former owners, vassal of kings of England, opposed a long time to their neighbors, the lords de Beynac, faithful to kings de France. If the protagonists of these remote quarrels have all disappeared, the two fortresses always continue their immutable face to face, like a mineral challenge with the lapse of memory and the ravages of time.
Château de Beynac
December 10, 2007
The Château de Beynac is a castle situated in the commune of Beynac-et-Cazenac, in the Dordogne département of France. The castle is one of the best preserved and most well-known in the region.
This Middle Ages construction, with its austere appearance, is perched on top of a limestone cliff, dominating the town and the north bank of the Dordogne River.
HISTORY
The castle was built from the 12th century by the barons of Beynac (one of the four baronies of Périgord) to close the valley. The sheer cliff face being sufficient to discourage any assault from that side, the defences were built up on the plateau: double crenellated walls, double moats, one of which was a deepened natural ravine, double barbican.
The oldest part of the castle is a large, square-shaped, Romanesque keep with vertical sides and few openings, held together with attached watch towers and equipped with a narrow spiral staircase terminating on a crenellated terrace. To one side, a residence of the same period is attached; it was remodelled and enlarged in the 16th and 17th centuries. On the other side is a partly 14th century residence side-by-side with a courtyard and a square plan staircase serving the 17th century apartments. The apartments have kept their woodwork and a painted ceiling from the 17th century. The Salle des États (States’ Hall) has a Renaissance sculptured fireplace and leads into a small oratory entirely covered with 15th century frescoes, included a Pietà, a Saint Christopher, and a Last Supper in which Saint Martial (first bishop of Limoges) is the maître d’hôtel.
At the time of the Hundred Years’ War, the fortress at Beynac was in French hands. The Dordogne was the border between France and England. Not far away, on the opposite bank of the river, the Château de Castelnau was held by the English. The Dordogne region was the theatre of numerous struggles for influence, rivalries and occasionally battles between the English and French supporters. However, the castles fell more often through ruse and intrigue rather than by direct assault, because the armies needed to take these castles were extremely costly: only the richest nobles and kings could procure them.
The castle was bought in 1962 by Lucien Grosso who has lovingly restored it.
Visitors to the castle can see sumptuous tapestries showing hunting and other scenes from the lives of the lords of the period. The Château de Beynac has been listed as a monument historique by the French Ministry of Culture since 1944.
Beynac castle has served as a location for several films, including Les Visiteurs by Jean-Marie Poiré, in 1993, La Fille de d’Artagnan by Bertrand Tavernier, in 1994, Ever After by Andy Tennant, in 1998, and Jeanne d’Arc by Luc Besson, in 1999. The village of Beynac below the chateau, also served as a location for the film Chocolat by Lasse Hallström, in 2000.
Barons de Beynac
Cave of Lascaux
December 9, 2007
Lascaux is the setting of a complex of caves in southwestern France famous for its cave paintings. The original caves are located near the village of Montignac, in the Dordogne département. They contain some of the most well-known (Upper Paleolithic) art, dating back to somewhere between 15,000 and 13,000 BCE. They consist mostly of realistic images of large animals, including aurochs, most of which are known from fossil evidence to have lived in the area at the time. They were added to UNESCO World Heritage Sites list in 1979.
Laugerie Basse
December 5, 2007
The new National Prehistoric Museum
November 28, 2007
The new national prehistoric museum of Eyzies-de-Tayac bares all
Built in an overhang shelter on the face of a striking cliff, the National Prehistoric Museum of Eyzies-de-Tayac is located in Dordogne, in southwestern France. The museum features unique archaeological collections chiefly discovered at the most prestigious excavation sites in the Vézère Valley, added to UNESCO’s World Heritage List owing to its many Palaeolithic remains. 300,000 visitors annually are expected at the new museum, located in the heart of the Périgord Noir area, land of French philosopher Montaigne - a region acclaimed for its history, beautiful landscapes of dark and mysterious forests, and world-renowned gastronomy.
Established since July 2004 in the new building designed by architect Jean-Pierre Buffi, the museum houses some 18,000 pieces and a collection of six million objects.“Although the new museum bears witness to the presence of men and women of the 21st century, its modernity manifests itself through its environment, marked by the sheer height of the cliff it is built on and the small size of the historical village of Eyzies-de-Tayac, with its 900 inhabitants and its medieval ruins”, remarks Jean-Pierre Buffi, architect of the Toulouse multimedia library and of the Façade of the Bercy Park in Paris.
The museum’s collections were established as early as 1913, when indefatigable researcher Denis Peyrony convinced the French state to acquire the Château des Eyzies, built at the end of the 16th century, and to transform it into an excavation warehouse that could double up as a museum. These collections have since been tremendously enriched through excavation discoveries at regional sites as well as private donations.
“The museum made a political choice by deciding not to portray the entire history of the Hominids’ development”, explains Jean-Jacques Cleyet-Merle, the museum’s director since 1988. “Instead, the museum describes the Palaeolithic era: the history of the Neanderthals, who vanished 50,000 years ago, and of the Cro-Magnon man, who lived in socially structured groups, buried his dead and made objects that had a symbolic meaning”.
Visitors enter the new museum as though embarking on a trip to the origins of humanity. At the museum’s entrance, the main chapters of the Hominids’ development are evoked through an anthropological frieze and a brief reminder of Africa’s history, starting with the early Australopithecines. Many themes are explored, including the legendary “Lucy”, the small 3.5-million-year-old woman discovered in Ethiopia in 1974. Next, the staircase leading to the permanent exhibit galleries plunges visitors into the mists of time, revealing seven sequences that cover the entire Palaeolithic era through an “idealstratigraphy”.
Upon leaving the“abysses of time”, visitors - equipped with the keys necessary for interpreting the rest of the exhibit - slide into the lower gallery and discover, along a passageway, the various material cultures that succeeded one another from 400,000 to 10,000 BC. This same itinerary also retraces the development of these different cultures: early tools, furniture, and other artefacts. Many themes are presented, such as the lifestyle of Neanderthal populations and the appearance of modern man.
In the upper gallery, visitors are invited to follow an initiatory path from the outside world of mankind’s ancestors to the semi-darkness of the painted caves. Museum-goers can also admire the replicas of prehistoric hearths, of the homes built under shelters and of the places of origin of the objects on display in the rest of the gallery. The reconstructed grave of “L’enfant de la Madeleine” is of particular interest in this section.
Each object - statuettes, jewels, harpoons, lamps, scrapers of all sorts, to name but some of the pieces - has been selected with great care, based on its representativeness and its state of conservation.
Organised by Jean-Jacques Cleyet-Merle, in close partnership with the Scientific Council chaired by Jean-Philippe Rigaud, honorary director of the Institute for Prehistory and Quaternary Geology of Bordeaux, the new National Prehistoric Museum’s scientific programme has been influenced by the establishment’s location at the heart of the prestigious sites and deposits from which its acquired its exceptional collections. In addition to the famous Lascaux Cave and its colourful cave paintings, many listed sites hark back to 400,000 years of human history, from the Font-de-Gaume cave to the Combarelles and Rouffignac caves, as well as the Poisson, Moustier and Micoque shelters.
Artists at the time had a very basic colour palette, consisting of black, ochre and red, which they skilfully used to make colour gradations, creating astoundingly lifelike animal scenes. In the new museum, “the ochre tones, such as the grey of the cast-aluminium roofs, mirror the cliff’s timeless colours”, points out Jean-Pierre Buffi.
In addition to presenting its collections to the general public, conserving humankind’s heritage and supporting archaeological digs, the National Prehistoric Museum also hosts archaeologists, researchers and students from the world over, and collaborates with various foreign institutions.
The abundance of masterpieces, shelters and grottos that dot the entire Vézère Valley, framed by dark and mysterious forests, vineyards and rivers, should not cause visitors to forget that Périgord is also the land of foie gras, duck confit, walnuts, cep mushrooms and the distinct-smelling truffles. Just 20 km away from Eyzies-de-Tayac, Sarlat - a town full of art and history, whose old streets shelter the former home of humanist writer La Boétie - is well worth a visit. One of the favourite visiting places of film directors, this prestigious site regularly hosts special events such as film festivals, theatre games, village celebrations, and much more.
Nestled in the heart of Périgord Noir, Les Eyzies-de-Tayac is sure to captivate you. The entire region, including its soil, beats with the soul of humanity.
Font de Gaume
November 18, 2007
Located near Les Eyzies, on the Sarlat road, Font-de-Gaume Cave is a showpiece of Magdalenian engravings and paintings from around 14 000 BC. The flints (chisels, scrapers, blades) and other things found in the cave during the excavations testify to a continual occupation since the Mousterian age, or the age of the Neandertals.
Discovered in 1901 by D. Peyrony, the Cave, 130 m long, contains about 250 paintings. The visitor can only see 30 of them, the most beautiful ones and the best preserved. After 60 m underground, the “Rubicon” is the beginning of the decorated part of the cave, with red dots on the left wall. These caves were not used as dwellings, they were shrines, according to A. Leroi-GourhanThe Grotte de Font-de-Gaume is famous for its cave paintings from the Magdalénien period. It is entrance is 20 m above the valley floor of the Beune valley, at the lower edege of a huge limestone rock.
There are many polychrome paintings and some engravings. The 240 figures show 80 bisons, which are the dominant motive. Most other pictures are also animals, 40 mammoths, 23 horses, 17 reindeers and deer, eight primitive cow, four goats, a wolf, a bear, and two rhinoceroses. More interesting, but less frequent, are four hand outlines and 19 geometric figures.
Advertisement
Latest Headlines
- History of Tayac, Les Eyzies de Tayac
- Certified guide to historic Vezere Valley
- Hell’s Gorge Les Eyzies
- Old Greetings from Les Eyzies …
- Dordogne Design, Putting Dordogne on the web.
- Les Eyzies YouTube
- Explore the Vezere Valley
- Artists Display manage and sell your Art online
- Vezere Valley’s Prehistoric Underground Museums
- Vezere Valley- 4 Excellent Venues
- The Dordogne River… the facts
- Race to save moulding Lascaux cave paintings
- Dordogne and the Movies
- Les Eyzies Accommodation
- Limeuil
- Castelnaud
- Valley of the Neanderthal
- Prehistoric Sites and Decorated Caves of the Vézère Valley
- Château de Beynac
- Photo Tour Ferme de Tayac
- Cave of Lascaux
- Édouard Lartet
- Les Eyzies and the Cro Magnon
- Paleolithic period
- Exciting Les Eyzies 4 the kids
- Laugerie Basse
- See the REAL Les Eyzies and Dordogne
- Tayac Photo Album
- History of the Grand Roc
- The work of Denis Peyrony (1869-1954)
- History of the National Prehistory Museum
- History of the Vezere
- The new National Prehistoric Museum
- Horse riding / treks in Les Eyzies.
- Activities 4 Kids Les Eyzies de Tayac
- A ride past the Gand Roc Les Eyzies
- Coffee stop Les Eyzies
- Tourist Information
- #1 B&B in Les Eyzies de Tayac and Dordogne
- Font de Gaume
- Les Eyzies de Tayac
- Horse riding / treks in the Dordogne
- Welcome to Scenic Dordogne
- See the REAL Dordogne
- B&B Ferme de Tayac #1 B&B in Les Eyzies de Tayac
- Bienvenue
