Ferme de Tayac, a lovely B&B in a 12th century former Farmhouse / Monastery situated in Tayac, a quaint little village in the heart of the Vezere Valley and only 5 minutes walk from Les Eyzies, the Prehistoric Capital of the World. The rooms are all en suite, spacious and comfy, all with views and in former Monks quarters and oozing history. Built up against solid rock, which means that both downstairs and upstairs are on ground level, walls of solid rock, ancient oak beam structures, fortified walls 3 feet thick, a massive and original wine press in the huge dining room, monk’s carvings in the stone walls, and lots and lots more.
For more info please visit their official web site : www.fermedetayac.com

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This site was made possible thanks to the dedication of a few people to promote the beautiful Dordogne region. Please take the time to visit their websites.

• B&B Ferme de Tayac, for 3 years now, this B&B in a 12th century former farmhouse / monastery in the heart of the Vezere Valley, has been voted the travellers choice of accommodation.http://www.fermedetayac.com/
• Dordogne Design has a Dordogne web site portfolio of more than 30 related sites promoting the Dordogne. If you have a Dordogne related buisness, and would like to make full potential use of the web, then Dordogne Design is the place to be.http://www.dordognedesign.com/
• Walking Dordogne has been taking the very lucky few visitors to places in the Dordogne we can only dream of. If you want to experience the REAL Dordogne, rather than just visit the Dordogne, the head to their web site, check their trips, and maybe one day you will be one of the lucky ones.http://www.walkingdordogne.com/

For more info visit : http://www.thedordogne.com/

Caves decorated with art from the late Paleolithic period, approximately 10,000 to 30,000 years ago, have been found only in France, Spain, Italy, Portugal, Russia and Mongolia. The largest cluster of Paleolithic art caves dot the Dordogne department of southwestern France the Vezere Valley, which is honeycombed ,with limestone caves and towering cliff shelters eaten out by glaciers and underground rivers as long as 140 million years ago. In this underground network, with constant temperature and humidity and isolation from light, the art has been very well preserved.

The most exciting sites open to visitors in the Dordogne include Lascaux, Font-de-Gaume, with drawings of bison, horses and deer; Combarelles, where Stone Age people left more than 300 engravings, and Cap Blanc, offering 14 animals gracefully sculptured in deep relief.

Cave art had been seen by villagers as least as far back as the 16th century, according to graffiti in the vast cavern at Rouffignac. But it was assumed to be modern until an explorer announced in 1880 that the paintings in the Altamira cave were prehistoric.

The notion of art as ancient as 30,000 years before the birth of Christ was met with skepticism on the ground that it conflicted with Christian belief. Only in the 20th century did scientists agree that humans indeed discovered how to artfully draw, sculpture and carve engravings during the Stone Age.

The Louvre of all the caverns is Lascaux. The cave entrance, less than a mile south of Montignac on the Vezere River, was sealed from harmful air for centuries by landslides. After trees covering the entrance were uprooted by a storm, four teen-agers seeking buried treasure discovered the cave in 1940.

Opened to tourists in 1948, Lascaux had to be closed in 1963 after green algae and white calcium deposits attacked the paintings. An exact copy built in cement nearby was inaugurated in November 1984. The cement cannot be harmed by bacteria and outside air and the paintings are covered with a transparent film.

Contrary to widespread belief, the original Lascaux, guarded by a wire fence and two German shepherds, can be seen by qualified people. Applicants connected with science, journalism, teaching, art, museums, even politics, have received invitations after waiting for months.

On an authorized visit one recent day, a guide, Jacques Marsal, led the way past the dogs and wooden towers with instruments that record humidity, temperature and air pressure in the cave, monitored by the Pasteur Institute in Paris. Visitors must wet the soles of their shoes in antiseptic and descend to the dark, cold cave through three anterooms that keep out air. Then the electric lights go on, and the stereotype of the Stone Age brute is crushed. The cave gleams with delicate drawings in ocher and brick red, outlined in deepest black by artists who were obviously sensitive people. Deer with graceful horns, drawn with sensual lines, recall works of Picasso. The guide’s flashlight plays on a splendid herd of deer, apparently clambering out of water, each with a different expression, each in a different position.

On the cold stone walls, a calf stumbles before a three-sided square that could depict a trap. A horse falls over a cliff, its face showing fright, possibly depicting organized stampedes to slaughter animals.

”The artists painted the outline of each animal all in one movement without hesitation, quite a feat,” says the guide.

The final shock is emerging from the Stone Age cave to see white trails from jet fighters crisscrossing the blue sky. A two-minute walk downhill stands Lascaux II, the cement reproduction built by the owner of the land and the state, now the proprietor.

Molded above ground by 12 Brazilian, Greek and French sculptors over nine years, the cave is a feat in itself as the cement truly resembles rock. A French artist worked seven years with prehistoric tools and pigments to copy the paintings from photographs. The copiers even repeated holes where the prehistoric artists had inserted logs to stand on so they could reach a high ceiling to paint a circle of horses reminiscent of Chinese art.

The reproduction is impressive. But the ancient Lascaux, like any original artwork, is worth the wait. Lascaux II lacks the impact of antiquity, and the drawings appear flat because the real Lascaux walls glisten with crystals.

Some 200 paintings and 1,500 engravings decorate Lascaux I, which is 819 feet long. Lascaux II, 131 feet long, displays 100 or so paintings and no engravings.

Those startling handprints are a frequent motif in art of the late Paleolithic period. Handprints fringe paintings in the Pech Merle grotto, including one of a black polka-dotted horse. Two hundred fifteen handprints, usually of the left hand, decorate the Gargas cave in the Hautes-Pyrenees department near Spain.

Experts say 11 footprints at Pech Merle were those of a woman and child. They believe women and children often visited the caves to see the art, or to worship. The caves are believed to have been sanctuaries, devoted to the worship of animals, magic or the hunt, but scientists do not know for sure. The guides emphasize that prehistoric people were not ”cave men.” Because of the dampness of grottos and the need to build fires, Cro-Magnon people lived only at cave entrances, in minuscule caves or under overhangs of giant cliffs.

Patterns emerge in their art. Most of the subjects are grass-eaters such as horses, bison, deer, reindeer and ibex. Less numerous are meat-eating mammoths and rhinoceroses, which once roamed France, boars, wolves and fox, plus fish, birds and reptiles. A fish was engraved on the ceiling of a riverside shelter north of Les Eyzies, a Dordogne town dotted with prehistoric sites that calls itself the Prehistoric Capital of the World.

Drawings of humans are rare and not realistic. Men appear more often than women (although many prehistoric statuettes of women have been dug from sites throughout the world). In Lascaux, a man falls dead before a bull pierced with a spear, its entrails dangling. Arrows were thrust into men drawn at Lascaux, Pech Merle and Cougnac, north of Cahors. Evidence of war? Experts say flints have not been found in Paleolithic skeletons, but they have in later Neolithic graves after agriculture was discovered and people became property owners, and thus could have been defenders and aggressors.

The Cro-Magnons painted under the light of small stone lamps, which have been found in cave digs. They applied charcoal, ocher or red and yellow pigments of oxidized iron with brushes or their fingers or dabbed on colors with fur or blew them through tubes. Engravings were made with bone, horn or stone.

The art is seldom seen near cave entrances, perhaps for religious reasons – or because paintings near airy entrances did not last. The gigantic grotto at Rouffignac offers a mile and a half ride on a small train to view paintings of mammoths, some overdrawn with graffiti of modern explorers.

At Cap Blanc, near Les Eyzies, a 14,000-year-old frieze of five horses, carved in relief, rivaling those of ancient Greece, was even more ruined by the pickaxes of overenthusiastic diggers in the 20′s.

A visitor can see the major Paleolithic caves in the Dordogne within a week. 

Most tours are in French, although descriptive pamphlets in English, Spanish and German are sold in most grottos. Large luxury chain hotels are absent, in favor of small, comfortable hotels.

Perigord and Quercy restaurants serve local specialties such as foie gras, truffles, walnuts and wild mushrooms. Canoeing and swimming in rivers and visiting more chateaus than are found in the Loire valley are other temptations.

But the passion for prehistory is catching. At La Madeleine, a site near Les Eyzies, prehistoric families lived in a riverside cliff shelter to be near fish. In the ninth century, about 80 people lived higher up, apparently so they could hurl stones on invading Vikings. The visitor turns away from the cliffside village, disappointed. Ninth century? That’s modern.

Our recommended accommodation near Lascaux and all the other Vezere Valley Caves:

B&B Ferme de Tayac. Lovely B&B in a 12th Century former farmhouse / monastery situated ideally in the hart of the Vezere Valley and within 20 minutes from Lascaux, and walking distance from Font de Gaume and Les Eyzies  http://www.fermedetayac.com/

1. Lascaux II- Lascaux is considered to be the number one prehistoric site in all of Europe. The paintings on the site date from 17,000 to 15,000 years ago. Shortly after that the cave entrances were closed by mudslides or other natural means, and thus the paintings were perfectly preserved until the modern era. The cave was rediscovered in 1940 by two local boys who were chasing their dog, and several years later it was opened to the public. However, in 1963 it was closed again, as it was discovered that too many people in the cave were causing the paintings to deteriorate. Since then only a few scientists, scholars or art historians per day were allowed in for several hours maximum. For the past few years even those limited visits have been stopped, as new signs of further deterioration have been observed. The French government, however, took up a 10 year project to make an exact duplicate of the cave. This effort, which opened in 1983, uses exactly the same pigments that were used by the Cro-Magnon artists thousands of years ago, and is dimensionally accurate to less than one inch of error. It is called Lascaux II, and is located only about 400 yards from the original cave.

The quality of the artwork is the main reason that Lascaux is considered the finest example of prehistoric cave paintings. Done with only oil lamps for light and using high scaffolding, the prehistoric artists who created this site were highly accomplished artists. Most of the guided visits to Lascaux II are conducted in French, but there are tours in English on most days. One needs to call the Lascaux ticket office in Montignac or the Montignac Office of Tourism to find out if and when there is an English tour on any given day. If you have a group they will probably set up an English tour for you and other English speakers, but this needs to be arranged in advance through the ticket office. Even though Lascaux II is a replica and not the original, it is very well done, very informative, and not to be missed.

2. St. Leon sur Vezere- This is another of the “Most Beautiful Villages of France”. Built in a picturesque loop of the Vezere river, this charming village possesses two castles and one of the finest Romanesque churches of the Perigord. The church was part of a Benedictine priory which was founded in the 12th century. It was built on the ruins of a Gallo-Roman villa. The remains of one of the villa’s walls can be seen on the river side. There is a picnic area next to the church on the banks of the river, and a café is nearby as well. This is an excellent spot to have a pleasant lunch or a refreshing drink.

3. La Roque St. Christophe (St. Christopher’s Rock) is a huge Troglodyte cave complex. For about a half mile in length this majestic cliff rises vertically above the Vezere valley to a height of over 250ft. It is like a huge hive with about 100 caves hollowed out of the rock on five tiers. Excavations have proved that the cliff dwellings were inhabited from the Upper Paleolithic Age onwards. In the 10th century the cliff terraces served as the foundation for a fortress which was used against the Vikings, and again later during the Hundred Years War. It was subsequently destroyed during the Wars of Religion at the end of the 16th century. The self-guided tour explains the evolution of human life at La Roque St. Christophe, which took place over many centuries . In fact even Neanderthal fossils have been found at this site and at other locations nearby.

4. Chateau de Losse- This renaissance chateau sits on the right bank of the Vezere river, and it has a large terrace that overlooks the river and offers picturesque views. The chateau is well known for its excellent furniture and tapestries, which can be seen on the guided tours. The tours are in French, but foreign language guides are available, and these are easy to follow so one does not miss anything. The tours are quite good, and one can also visit the well kept gardens and stroll around the outside of the chateau in the former moat area.

As stated earlier, these four venues in the Vezere Valley between Les Eyzies de Tayac and  Montignac can easily be visited in one day, since they are relatively close and do not take too long to visit any of them. If one is staying nearby, in Les Eyzies de Tayac, for example, only about 25 kilometers away, a visit to these sites is well worth the effort.

Our recommended accommodation to visit these 4 venues:
B&B Ferme de Tayac. Lovely B&B in a 12th Century former farmhouse / monastery situated ideally in Les Eyzies de Tayac, the hart of the Vezere Valley and within 20 minutes from all of these attractions.
http://www.fermedetayac.com/

Contrary to appearances, the name of the Dordogne is not a recent word resulting from the names of the Dore and the Dogne. It comes from an ancient Durānius, dérived from a preceltic root dur-, dor- (as the Durance).

The medieval forms adopted a redoubled suffix -ononia : Dorononia fluvius (sixth century), Dornonia (eighth century) that evolves in Dordonia (ninth century) by a phenomenon of dissimilation, giving the impression of an etymology *Dore-Dogne.

Geography

The river rises on the flanks of Puy de Sancy (1 885 m) in the mountains of Auvergne, from the confluence of two small torrents above the town of Mont-Dore: the Dore and the Dogne. It flows generally west about 500 km through the Limousin and Périgord regions before flowing into the Gironde, its common estuary with the Garonne, at the “Ambès beak”, in the north of the city of Bordeaux.

Nature

The Dordogne is one of the few rivers in the world that exhibits the phenomenon known as a tidal bore. The Valley of the Dordogne is quite beautiful and contributes significantly to the attractiveness of the region. The main season for tourism in the Valley of the Dordogne is from June to September with July and August being high tide.

Course

The départements of France through which the Dordogne River runs, together with some towns in those départements that are on or quite near the River, are as follows:

• The département of Puy-de-Dôme – the towns of Mont-Dore (near the source of the River), La Bourboule
• The département of Corrèze – the towns of Argentat and Bort-les-Orgues
• The département of Lot – The town of Souillac
• The département of Dordogne – The towns of Beynac-et-Cazenac, Sarlat, Saint-Cyprien, and Bergerac
• The département of Gironde – the towns of Sainte-Foy-la-Grande and Libourne

Tributaries

Dordogne River in the PérigordMain tributaries from source to mouth:

(R) Rhue
(R) Diège
(R) Luzège
(L) Sumène
(L) Auze
(R) Doustre
(L) Maronne
(L) Cère
(R) Sourdoire
(L) Ouysse
(R) Vézère along which many of the great prehistoric caves of Southwest France are located
(R) Isle
(L) Laurence
N.B. : (R) = right tributary; (L) = left tributary

Canoeing on the Dordogne River

The village is still partly surrounded by its original fortified walls, and is another of the ‘picture postcard pretty’ villages of the Dordogne, with cobbled streets winding between honey-coloured houses and pretty gardens.

Despite its picturesque location it is not usually completely overrun with tourists in the way that some places are, and the Parc Limeuil at the top of the town, while not spectacular as a park, has some fine views and is usually quiet.

A very pleasant place to escape the crowds.

A short stroll around the village gives a taste of the diversity on offer; at the foot of the two magnificent bridges, built in 1891, a sandy beach leads down into the clear water. A little further along, the 15th century port entrance which leads up to an extremely steep street is carved with the water levels reached during the great floods.
Getting to the top of the village is hard, but rewarding, work – take the time to study the medieval architecture on the way up. At the Place des Fossés, the château gardens provide a wonderful view over the river confluence, the rooftops and terraced gardens. The black Virgin Mary in St Catherine’s Church was the patron saint of the river traders.

The visitor can go from the blacksmith, to the glass-blower. Limeuil enjoys many sporting activities including canoeing, horse riding and mountain-biking. The holiday-maker will find plenty of welcoming hotels, restaurants and campsites.

Evidence of the period when Aquitaine was English can be found on the Bugue road leading out of the village: St Martin’s Chapel was built in 1194 to expiate the murder of the Archbishop of Canterbury, St Thomas à Becket

A Brief History

The site of Limeuil has been lived on since prehistoric times (various artefacts dating from approximately 10,000 BC have been found). Limeuil, listed as « One of the Most Beautiful Villages of France », is essentially a medieval village as the three fortified gateways and ruins of the castle and ramparts testify.

What to See

On the edge of the village is a museum garden where different plants and methods of cultivation take the visitor a journey through time from the Stone Age to the Renaissance period.
The natural beauty spot formed by the bend in the river offers a superb view.

Our recommended accommodation to visit Limeuil:
B&B Ferme de Tayac. Lovely B&B in a 12th Century former farmhouse / monastery situated ideally in the hart of the Vezere Valley and just 15 minutes from Limeuil
http://www.fermedetayac.com/

Perched with hillside on left bank of the Dordogne, Castelnaud dominates the small borough coiled with its feet. Its former owners, vassal of kings of England, opposed a long time to their neighbors, the lords de Beynac, faithful to kings de France. If the protagonists of these remote quarrels have all disappeared, the two fortresses always continue their immutable face to face, like a mineral challenge with the lapse of memory and the ravages of time.

History

English Castelnaud After the Treaty of Paris, signed in 1259 by Saint Louis and Henry III, which put an end to the dispute between the Capetians and the Plantagenets, the Perigord was restored to the English. Castelnaud thus fell under English rule. In 1273 the castle reverted back to the legitimate feudal line, that of the Castelnauds, who gave tribute to the Count of Perigord, vassal of the king of France.The power of a FortressFor Castelnaud, the end of the 13th century heralded in a period of prosperity and relative calm. The castle established itself as one of the principle powers of the Perigord. The barons of Beynac during this epoch were semi-permanently in conflict with the lords of Castelnaud. Continuously the two rival houses contested control of the region, trailing after them a section of the Perigord nobility divided by the two camps. The two castles watched and spied on each other. Never, however, did an open battle occur. In 1317 the Pope himself intervened to prevent the worst from happening; Jean XXII authorized a marriage between the two families to try and put an end to the endemic conflict. This context of private feud, so common in the Middle Ages, was soon relegated to a position of secondary importance: in 1337 the Hundred Years’ War broke out.

The Hundred Years’ War

The first few decades of the war were favorable to the English. In 1346 at Crecy, the cream of French nobility was decimated by English archers. In 1356, King John the Good was taken prisoner at Poitiers. The Treaty of Bretigny-Calais freed the king but ceded Aquitaine to the English, which was from then on ruled by the formidable Black Prince.In 1368, Magne de Castelnaud, sole heiress of Castelnaud, married Nompar de Caumont. This was a major event for Castelnaud, as the Caumonts would subsequently continue to be proprietors of the castle until the Revolution. During the War, the Caumonts were often in the English camp. Henry IV, King of England, named Nompar de Caumont his seneschal for Agen.

State of SiegeIn 1442, tired of the English hold on Castelnaud, the King of France ordered the town put under siege. The siege lasted three weeks. The English commander ended it by giving the keys to the castle and 400 crowns for his life. Thus the English were finally driven from Castelnaud. They left French soil after the battle of Castillon (1452) which marked the end of the Hundred Year’s War.

Pleasure Residence After a century black with wars, epidemics and hardships, a great period of prosperity unfolded for Castelnaud.
The castle’s reconstruction was begun by Brandelis de Caumont and followed by his son François and his grandson Charles. The old 13th century fortress took on a look that conformed more to the style of the times. François de Caumont, besides enlarging Castelnaud, built a pleasant Renaissance-style manor not far from Castelnaud: Milandes Castle.
Castelnaud, which no longer had a strategic purpose, became a pleasure residence. It was fortified because of its prestigious function as the center of power of the domain.
The imposing artillery tower, built around 1520, had no function other than that of a symbol of power.

The Huguenot Captain

A new chapter in the history of Castelnaud opened with the Huguenot Captain Geoffroy de Vivans. Soldier, companion of the future Henry IV, his life was punctuated by audacious actions which earned him a great reputation in the country. Geoffroy the warrior was feared throughout the Perigord, a reputation which assured that Castelnaud was never disturbed during the Wars of Religion.Ruins and renaissanceBetween the exploits of Captain Vivans and the 20th century, the castle did not live through any other remarkable events. The Caumont lords preferred Milandes first, then their castle of the Force near Bergerac. The condition of Castelnaud continued to deteriorate until it was completely abandoned. After the Revolution the deterioration accelerated. Soon the castle served as no more than a stone quarry.1969 / 1998 : The Renaissance of CastelnaudIn 1966, Castelnaud Castle was classed as an Historic Monument. Since then, it has undergone two periods of extensive restoration: between 1974-1980 and from 1996-1998. Certain parts of the castle which had collapsed were reconstructed, other parts were only consolidated due to the lack of information regarding their original state.

Our recommended accommodation to visit Castelnaud:
B&B Ferme de Tayac. Lovely B&B in a 12th Century former farmhouse / monastery situated ideally in the hart of the Vezere Valley and just 15 minutes from Castelnaud
http://www.fermedetayac.com/

 The Vézère valley contains 147 prehistoric sites dating from the Palaeolithic and 25 decorated caves. It is particularly interesting from an ethnological and anthropological, as well as an aesthetic point of view because of its cave paintings, especially those of the Lascaux Cave, whose discovery in 1940 was of great importance for the history of prehistoric art. The hunting scenes show some 100 animal figures, which are remarkable for their detail, rich colours and lifelike quality.

Locations

Communes of Les Eyzies de Tayac, Tursac, Montignac-sur-Vézère, Saint-Leon-sur-Vézère, Marquay, Manaurie-Rouffignac and Saint-Cirq-du Bugue, Department of the Dordogne, Region of Aquitaine
N45 3 27 E1 10 12

Theory

 The Vézère Valley is on a limestone plateau in Southwestern France. It is home to several hidden calcareous caves. This is Lascaux Cave, the most well known. These drawings here date back to the Paleolithic period around 17,000 years ago. The cave was closed in 1972 for preservation work.

Subsequently decorated grottoes of the Vézère Valley including this Lascaux cave have been inscribed on the list of World Heritage. In this drawing, the front foot of the horse was drawn over the bulky rock surface to give a solid impression. The technique is used to express a galloping horse. This drawing of cattle has many layers. The front red figure is a cow, and behind her is black ox with large horns.

Why did man start to draw? Dr. Michel Lorblanchet has proposed a new theory through practical archaeology that takes account of the painting materials and artistic techniques of the time. He put charcoal in his mouth and sprays it onto the wall, exactly as people during the Paleolithic period used to do. By blowing onto the rocks, they believed that it would breathe life into something inside it. People in those days believed that some kind of supernatural power existed inside the rocks. They tried to capture this great power by projecting images of wild animals onto them. Signs of human imagination have been found here. This unicorn is drawn on the closest wall from the entrance of the Lascaux cave.

People stopped painting in these caves about 10000 years ago. Once they had mastered the skills of stock farming, they started to regard themselves as superior to other animals and with that change the Great Spirit in the caves was gradually forgotten.

Recommended accommodation to explore the Vezere Valley:

B&B Ferme de Tayac. Lovely B&B in a 12th Century former farmhouse / monastery situated ideally in the hart of the Vezere Valley in Les Eyzies de  Tayac, the Prehistoric Capital of the world.
http://www.fermedetayac.com/

This Middle Ages construction, with its austere appearance, is perched on top of a limestone cliff, dominating the town and the north bank of the Dordogne River.

HISTORY

The castle was built from the 12th century by the barons of Beynac (one of the four baronies of Périgord) to close the valley. The sheer cliff face being sufficient to discourage any assault from that side, the defences were built up on the plateau: double crenellated walls, double moats, one of which was a deepened natural ravine, double barbican.

The oldest part of the castle is a large, square-shaped, Romanesque keep with vertical sides and few openings, held together with attached watch towers and equipped with a narrow spiral staircase terminating on a crenellated terrace. To one side, a residence of the same period is attached; it was remodelled and enlarged in the 16th and 17th centuries. On the other side is a partly 14th century residence side-by-side with a courtyard and a square plan staircase serving the 17th century apartments. The apartments have kept their woodwork and a painted ceiling from the 17th century. The Salle des États (States’ Hall) has a Renaissance sculptured fireplace and leads into a small oratory entirely covered with 15th century frescoes, included a Pietà, a Saint Christopher, and a Last Supper in which Saint Martial (first bishop of Limoges) is the maître d’hôtel.

At the time of the Hundred Years’ War, the fortress at Beynac was in French hands. The Dordogne was the border between France and England. Not far away, on the opposite bank of the river, the Château de Castelnau was held by the English. The Dordogne region was the theatre of numerous struggles for influence, rivalries and occasionally battles between the English and French supporters. However, the castles fell more often through ruse and intrigue rather than by direct assault, because the armies needed to take these castles were extremely costly: only the richest nobles and kings could procure them.

The castle was bought in 1962 by Lucien Grosso who has lovingly restored it.

Visitors to the castle can see sumptuous tapestries showing hunting and other scenes from the lives of the lords of the period. The Château de Beynac has been listed as a monument historique by the French Ministry of Culture since 1944.

Beynac castle has served as a location for several films, including Les Visiteurs by Jean-Marie Poiré, in 1993, La Fille de d’Artagnan by Bertrand Tavernier, in 1994, Ever After by Andy Tennant, in 1998, and Jeanne d’Arc by Luc Besson, in 1999. The village of Beynac below the chateau, also served as a location for the film Chocolat by Lasse Hallström, in 2000.

Barons de Beynac

Recommended accommodation to visit Beynac:

B&B Ferme de Tayac. Lovely B&B in a 12th Century former farmhouse / monastery situated ideally in the hart of the Vezere Valley and just 15 minutes from Château de Beynac
http://www.fermedetayac.com/

Although part of Les Eyzies, Tayac is actually more than 600 years older 

A small picturesque village built up against a hill, dominated by “St. Martin” a large fortified church, now national monument.

Being just 10 minutes walking distance from Les Eyzies it is a very nice place to stay if you wish to keep away from the tourist crowds and busy main street.

B&B Ferme de Tayac, next to St Martin is a former 12th century Farmhouse and Monastery is rated the #1 B&B in the Dordogne. Rooms are large and cozy, and all have a view.